"Fool for Thought"

On View: Nov. 21 - March 3, 2017

Pat Oleszko

Hadassah-Brandeis Institute

Postcard from Pat Oleszko’s exhibit titled “Fool for Thought” featuring a photo of  "Odds at Sea Bahian Odyssey," a 2009 performance and film, Sacatar Foundation, Itaparica, Brazil. Picture shows several people wearing very brightly colored whimsical costumes, with feathers, balloons, larger than life hats, fanciful creatures with large eyeballs, frolicking on the beach. Text: "Pat Oleszko. Fool for Thought."Postcard image: Pat Oleszko, "Odds at Sea Bahian Odyssey," 2009 performance and film, Sacatar Foundation, Itaparica, Brazil

Performance artist Pat Oleszko makes a spectacle of herself — and doesn’t mind if you laugh. With elaborate handmade costumes and props, she utilizes the body as armature for ideas in an array of lampoons that call her audience to action. From the personal to the political, her performances and installations ceremoniously exorcize through humor. Hoisting an enormous burning bra on the exterior of the Women’s Studies Research Center, the exhibition "Fool for Thought" highlights costumes and performances from a wild variety of events including Hello Folly: The Floes & Cons of Arctic Drilling, Oldilocks and the Bewares, Stalking Walking Topiary and The Pat and the Hats. Oleszko, self-identified as the Fool in question and the questioning Fool, fans the flames with rousing absurdity and maintains that she who laughs, lasts.

People dressed in fanciful costumes of polar bears seated on iceburgs with a blue ruffled "skirt" representing water.
Pat Oleszko, "Hello Folly: The Floes and Cons of Arctic Drilling," 2015. Performance view at Institute of Contemporary Art, Boston.
Sculpture of a woman made of stacked inflatable tires set upon 2 flippers (for feet), orange gloves emerging from the tires on each side for hands.
Kniznick Gallery Installation: Pat Oleszko, Helen Highwater, 2016. Plastic inner tubes, fabric, plungers, fins, toy cones, dive masks, wig
Sculpture of a woman facing the corner of the room with her hands outstretched above her head, touching the walls.
Kniznick Gallery Installation: Pat Oleszko, "Betty Boob," 2007. Balloons, fabric.